Latin music Hispanic-influenced music in the Philippines. In the U. Buenos Aires. It was mainly influenced by the old orchestra style rather than by Piazzolla's renewal and experiments with electronic music. Tango music was sometimes played but at a rather fast tempo. These and other electronic tango fusion songs bring an element of revitalization to the tango dance, serving to attract a younger group of dancers. Archived from the original on 17 August It Nordnordmord also sometimes theorized that the Es War Einmal Das Leben is derived from the Portuguese word tangerwhich means "to play a musical instrument". Tango is a dance that has influences from Youtube TangoJim & Andy American and European culture.
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This has led to some principal distinctions in basic technique and style. Nevertheless, there are quite a few competitions held in the American style, and of course mutual borrowing of technique and dance patterns happens all the time.
Ballroom tangos use different music and styling from the tangos from the River Plata region Uruguay and Argentina , with more staccato movements and the characteristic head snaps.
The head snaps are totally foreign to Argentine and Uruguayan tango, and were introduced in under the influence of a similar movement in the legs and feet of the tango from the River Plate, and the theatrical movements of the pasodoble.
This style became very popular in Germany and was soon introduced to England. The movements were very popular with spectators, but not with competition judges.
Tango arrived in Finland in The melancholy tone of the music reflects the themes of Finnish folk poetry; Finnish tango is almost always in a minor key.
The tango is danced in very close full thigh, pelvis and upper body contact in a wide and strong frame, and features smooth horizontal movements that are very strong and determined.
Dancers are very low, allowing long steps without any up and down movement, although rises and falls are optional in some styles.
Forward steps land heel first except when descending from a rise, and in backward steps dancers push from the heel.
In basic steps, the passing leg moves quickly to rest for a moment close to the grounded leg. Dips and rotations are typical. There is no open position, and typically feet stay close to the floor, except in dips the follower might slightly raise the left leg.
Unlike in some Latin American tango styles, in Finnish tango there is no kicking of any kind, and there are no aerials. The annual Finnish tango festival Tangomarkkinat draws over , tangophiles to the central Finnish town of Seinäjoki ; the town also hosts the Tango Museum..
Argentine , Uruguayan , and Ballroom Tango use very different techniques. In Argentine and Uruguayan tango, the body's center moves first, then the feet reach to support it.
In ballroom tango, the body is initially set in motion across the floor through the flexing of the lower joints hip, knee, ankle while the feet are delayed, then the feet move quickly to catch the body, resulting in snatching or striking action that reflects the staccato nature of this style's preferred music.
In tango, the steps are typically more gliding, but can vary widely in timing, speed, and character, and follow no single specific rhythm.
Because the dance is led and followed at the level of individual steps, these variations can occur from one step to the next. The Tango's frame, called an abrazo or "embrace", is not rigid, but flexibly adjusts to different steps, and may vary from being quite close, to offset in a "V" frame, to open.
The flexibility is as important as is all movement in dance. The American Ballroom Tango's frame is flexible too, but experienced dancers frequently dance in closed position: higher in the elbows, tone in the arms and constant connection through the body.
When dancing socially with beginners, however, it may be better to use a more open position because the close position is too intimate for them.
In American Tango open position may result in open breaks, pivots, and turns which are quite foreign in Argentine tango and International English tango.
There is a closed position as in other types of ballroom dance , but it differs significantly between types of tango. In Tango from the River Plata region, the "close embrace" involves continuous contact at the full upper body, but not the legs.
In American Ballroom tango, the "close embrace" involves close contact in the pelvis or upper thighs, but not the upper body.
Followers are instructed to thrust their hips forward, but pull their upper body away and shyly look over their left shoulder when they are led into a "corte".
In tango from the River Plate region, the open position, the legs may be intertwined and hooked together, in the style of Pulpo the Octopus.
In Pulpo's style, these hooks are not sharp, but smooth ganchos. In Tango from the River Plata, Uruguay and Argentina, the ball or toe of the foot may be placed first.
Alternatively, the dancer may take the floor with the entire foot in a cat-like manner. In the International style of Tango, " heel leads " stepping first onto the heel, then the whole foot are used for forward steps.
Ballroom tango steps stay close to the floor, while the River Plata Tango Uruguayan and Argentine includes moves such as the boleo allowing momentum to carry one's leg into the air and gancho hooking one's leg around one's partner's leg or body in which the feet travel off the ground.
Both Uruguayan and Argentine tango features other vocabulary foreign to ballroom, such as the parada in which the leader puts his foot against the follower's foot , the arrastre in which the leader appears to drag or be dragged by the follower's foot , and several kinds of sacada in which the leader displaces the follower's leg by stepping into her space.
Music and dance elements of tango are popular in activities related to gymnastics , figure skating , synchronized swimming , etc.
Tango appears in different aspects of society: Regular milongas and special festivals. On a regional level there are also many festivals inside and outside of Argentina.
Typically the tango is performed between a man and a woman, however the two have very different aspirations within the tango. Woman often looked to the tango to help them gain confidence and to help them find a potential relationship.
Gender roles also plays a big part in the mechanics of tango due to the tango needing a leader. But in more recent times this is being challenged due to woman not wanting to be dependent on the male for the dance.
This allowed for both men to learn the leading and following roles of tango and adapt to both lead equally in the dance. This changed the mechanics of the dance to be closer to two equally leading roles between men and women or same sex pairs.
It has been suggested that tango makes people feel more relaxed, sexier, and less depressed, and increases testosterone levels.
Dance targets six main areas considered to be important for high quality of life and successful aging:. While all types of dance confers some types of benefits, Argentine tango dancing, in particular, has documented evidence that these areas are improved in both healthy and disabled populations.
Tangolates is an exercise method that combines the core stability of Pilates with the concentration, coordination and fluid movement of tango, designed in by Tamara Di Tella.
Utilizing a partner-method and incorporating the aerobic or cardio element of music, it started as a rehabilitation technique for patients with severe dysfunctions of the nervous system.
From Wikipedia, the free encyclopedia. Argentinian partner dance. For other uses, see Tango disambiguation. Habanera candombe milonga tango flamenco zarzuela polka waltz payada.
Canyenge Maxixe Tango Waltz. Alternative tango Tango electronico. Main article: History of the tango.
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Revisiting music theory: a guide to the practice , p. Musica Del Mundo Hispano. University of New Mexico Press. Studies in Latin American Popular Culture.
Buenos Aires. Retrieved April 2, Retrieved 30 November Intangible Heritage Lists. Rise and Fall of the Cosmic Race. University of Texas Press. Retrieved Retrieved 21 April Retrieved 7 May Sydney Morning Herald.
Sep 30, Retrieved Sep 30, Afro-Hispanic Review. Early tango was played by immigrants in Buenos Aires , then later in Montevideo. It took time to move into wider circles; in the early 20th century, it was the favorite music of thugs and gangsters who visited brothels ,  in a city with , more men than women in The complex dances that arose from such rich music reflect how the men would practice the dance in groups, demonstrating male sexuality and causing a blending of emotion and aggressiveness.
The organito , a portable player-organ, broadened the popularity of certain songs. Like many forms of popular music, tango was associated with the underclass, and attempts were made to restrict its influence [ by whom?
In spite of the scorn, some, like writer Ricardo Güiraldes , were fans. Güiraldes played a part in the international popularization of tango, which had conquered the world by the end of World War I; he wrote the poem "Tango", which describes the music as the "all-absorbing love of a tyrant, jealously guarding his dominion, over women who have surrendered submissively, like obedient beasts".
One song that would become the most widely known of all tango melodies  also dates from this time. Besides the global influences mentioned above, early Tango was locally influenced by Payada , the Milonga from Argentine and Uruguay pampas , and Uruguayan candombe.
In Argentina there was Milonga "from the country" since the mid eighteenth century. The first "payador" remembered is Santos Vega.
The origins of Milonga seem to be in the pampa with strong African influences, especially though the local candombe which would be related to its contemporary candombe in Buenos Aires and Montevideo.
It is believed that this candombe existed and was practised in Argentina since the first slaves were brought into the country. It is played with harp, violin, and flute, in addition to the Afro-Argentine candombe drums "Llamador" and "Repicador".
This has been seriously considered as one of the strong points of departure for the birth and development of Tango.
The first tango "group" was composed of two Afro-Argentines : "the black" Casimiro Alcorta violin and "the mulatto" Sinforoso clarinet.
He is also credited with the tango "Concha sucia", which was later adapted and sung by F. Canaro as "Cara sucia" Dirty Face. The first recorded musical score is "La Canguela" The first copyrighted tango score is "El entrerriano", released in and printed in by Rosendo Mendizabal , an Afro-Argentine.
As for the transition between the old "Tango criollo" Milonga from the pampas, evolved with touches of Afro-Argentine candombe, and some Habanera , and the Tango of the Old Guard, there are the following songs:.
Moreover, the first tango recorded by an orchestra was "Don Juan", whose author is Ernesto Ponzio. It was recorded by the orchestra of Vicente Greco.
Tango soon began to gain popularity in Europe, beginning in France. Superstar Carlos Gardel soon became a sex symbol who brought tango to new audiences, especially in the United States, due to his sensual depictions of the dance in film.
In the s, tango moved out of the lower-class brothels and became a more respectable form of music and dance.
Bandleaders like Roberto Firpo and Francisco Canaro dropped the flute and added a double bass in its place.
Lyrics were still typically macho, blaming women for countless heartaches, and the dance moves were still sexual and aggressive.
Carlos Gardel became especially associated with the transition from a lower-class "gangster" music to a respectable middle-class dance. He was also one of the precursors of the "Golden Age of Tango".
Gardel's death was followed by a division into movements within tango. The "Golden Age" of tango music and dance is generally agreed to have been the period from about to , roughly contemporaneous with the big band era in the United States.
Canaro's early milongas are generally the slowest and easiest to dance to; and for that reason, they are the most frequently played at tango dances milongas ; "Milonga Sentimental" is a classic example.
Beginning in the Golden Age and continuing afterwards, the orchestras of Osvaldo Pugliese and Carlos di Sarli made many recordings.
Pugliese's later music was played for an audience and not intended for dancing, although it is often used for stage choreography for its dramatic potential, and sometimes played late at night at milongas.
Eventually, tango transcended its Latin boundaries as European bands adopted it into their dance repertoires [23—27]. Non-traditional instruments were often added, such as the accordion in place of the bandoneon , saxophone, clarinet, ukulele, mandolin, electric organ, etc.
European tango became a mainstream worldwide dance and popular music style, alongside foxtrot, slow waltz, and rumba.
It somewhat diverged from its Argentinian origin and developed characteristic European styles.
The popularity of European tango precipitously declined with the advent of rock-n-roll in the s—60s. During the s, Piazzolla consciously tried to create a more academic form with new sounds breaking the classic forms of tango, drawing the derision of purists and old-time performers.
The s saw Buenos Aires developing a fusion of jazz and tango. Litto Nebbia and Siglo XX were especially popular within this movement.
In the s and s, the vocal octet Buenos Aires 8 recorded classic tangos in elaborate arrangements, with complex harmonies and jazz influence, and also recorded an album with compositions by Piazzolla.
Piazzolla and his followers developed nuevo tango , a musical genre that incorporated jazz and classical influences into a more experimental style.
In the late s, composer and pianist Fernando Otero  continued to add elements to the innovation process which had started decades ago, expanding the orchestration and form while including improvisation and atonal aspects in his work.
In the second half of the s, a new movement of tango composers and tango orchestras playing new songs was born in Buenos Aires.
Over the first two decades of the 21st century, the movement has grown with the creation of countless bands playing new tangos.
Tango development did not stop with tango nuevo. These recent trends can be described as "electro tango" or "tango fusion", where the electronic influences range from subtle to dominant.
Tanghetto and Carlos Libedinsky are good examples of the subtle use of electronic elements. The music still has its tango feeling, the complex rhythmic and melodious entanglement that makes tango so unique.
Their sound features electronic elements like samples, beats, and sounds on top of a tango groove. Some dancers enjoy dancing to this music, although many traditional dancers regard it as a definite break in style and tradition.
Bajofondo Tango Club is another example of electro-tango. Further examples can be found on the CDs Tango? Although tango music was strictly circumscribed to the tango interpreters, it was the classically trained Argentinian pianist Arminda Canteros — who used to play tangos to satisfy the requests of her father, who could not understand classical music.
She developed her own style and had a weekly program of tango music for a radio station in Rosario , Argentina in the s and s.
Since tango playing was considered the epitome of machismo , she had to take the masculine pseudonym "Juancho" for the broadcasts.
Canteros settled in New York City in , where in , she recorded the album Tangos , at the age of Nikolai Myaskovsky composed an Argentinian death tango for the poem "War and Peace".
Kurt Weill continued this style in The Threepenny Opera Die Dreigroschenoper , with "Tango Ballade", or "Zuhälterballade", a fateful song about underworld life a symphonic version commissioned by Otto Klemperer ; a bit later, he composed "Youkali" Tango-Habanera , with French lyrics.
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